mikedolbear.com discussion forum

Profile | Register | Active Topics | Members | Search | FAQ

Main Site | Shop | Classifieds | Links | Events | Frappr | Terms of Use

 All Forums
 General Discussion
 Drummers Forum
 Dirtying up a snare sound

Note: You must be registered in order to post a reply.
To register, click here. Registration is FREE!

Screensize:
UserName:
Password:
Format Mode:
Format: BoldItalicizedUnderlineStrikethrough Align LeftCenteredAlign Right Horizontal Rule Insert HyperlinkInsert Email Insert CodeInsert QuoteInsert List
   
Message:

* HTML is OFF
* Forum Code is ON
Smilies
Smile [:)] Big Smile [:D] Cool [8D] Blush [:I]
Tongue [:P] Evil [):] Wink [;)] Clown [:o)]
Black Eye [B)] Eight Ball [8] Frown [:(] Shy [8)]
Shocked [:0] Angry [:(!] Dead [xx(] Sleepy [|)]
Kisses [:X] Approve [^] Disapprove [V] Question [?]

 
   

T O P I C    R E V I E W
benjisonfire Posted - 19/04/2012 : 10:23:51
As we are mixing the drums I'm noticing that the snare is too clean. The pitch is high, but that's ok. However it has little guts and depth to the sound. How would you recommend tuning it for more guts?
19   L A T E S T    R E P L I E S    (Newest First)
benjisonfire Posted - 20/04/2012 : 22:49:29
quote:
Originally posted by crafty

quote:
Originally posted by benjisonfire

quote:
Originally posted by larold

If you're talking dirt I'd say a lot of that would be achieved in post production. Guts and depth though I'd go for a deep wood shell tuned right down.

Something like this?? http://www.youtube.com/watch?v=D6oEI4MB2iE - Ahhh that break does things to me!



NOW THAT IS A F**KING GROOVE! I will work to get that snare sound!



I played session recently where the the songwriter wanted exactly that kind of sound. I have a drum which I have tuned and taped for that kind of vibe. I said, 'I can bring along the Russ Kunkel'. He said that sounded interesting. The 'Russ Kunkel' is a 70s Slingerland 14x6 SoundKing, with a very tired ambassador tuned just above crisp packet and smeared with gaffa. It hits the spot. Great sound. I'll post an mp3 when the album's released.

Ed



please do! I KNEW it was only a matter of time before I would regret selling my slingerland cob 14x6... still de-tuning my 13x5 may have an interesting result...
Twotoms Posted - 20/04/2012 : 11:18:34
http://www.youtube.com/watch?v=D6oEI4MB2iE

Al Jackson Jr ?
crafty Posted - 20/04/2012 : 11:12:04
quote:
Originally posted by benjisonfire

quote:
Originally posted by larold

If you're talking dirt I'd say a lot of that would be achieved in post production. Guts and depth though I'd go for a deep wood shell tuned right down.

Something like this?? http://www.youtube.com/watch?v=D6oEI4MB2iE - Ahhh that break does things to me!



NOW THAT IS A F**KING GROOVE! I will work to get that snare sound!



I played session recently where the the songwriter wanted exactly that kind of sound. I have a drum which I have tuned and taped for that kind of vibe. I said, 'I can bring along the Russ Kunkel'. He said that sounded interesting. The 'Russ Kunkel' is a 70s Slingerland 14x6 SoundKing, with a very tired ambassador tuned just above crisp packet and smeared with gaffa. It hits the spot. Great sound. I'll post an mp3 when the album's released.

Ed
benjisonfire Posted - 20/04/2012 : 10:57:11
quote:
Originally posted by larold

If you're talking dirt I'd say a lot of that would be achieved in post production. Guts and depth though I'd go for a deep wood shell tuned right down.

Something like this?? http://www.youtube.com/watch?v=D6oEI4MB2iE - Ahhh that break does things to me!



NOW THAT IS A F**KING GROOVE! I will work to get that snare sound!
theslingerland Posted - 19/04/2012 : 23:31:52
Tune down and gaffa - or an old head upside down on the regular head...
teethmeister Posted - 19/04/2012 : 22:48:56
Another cheeky post technique is to use the snare signal to vocode something like a white or pink noise source. Or, with some vocoders, just running something impulsive like drums through with no secondary input can make quite a useful "dirt"
Tex Posted - 19/04/2012 : 19:19:02
If the track is separate and you have a spare track then bounce (duplicate not move) the snare and then detune that copy and try blending it in behind or forward (in the mix not the timing) of the other. As already well suggested, a little distortion or FX on the copy.
larold Posted - 19/04/2012 : 19:04:53
If you're talking dirt I'd say a lot of that would be achieved in post production. Guts and depth though I'd go for a deep wood shell tuned right down.

Something like this?? http://www.youtube.com/watch?v=D6oEI4MB2iE - Ahhh that break does things to me!
benjisonfire Posted - 19/04/2012 : 16:49:23
Was meaning how I should tune the actual snare for next time, rather than mixing. the guy mixin now is a pro and ha sorted it in a jiffy!
Wannabedrummer Posted - 19/04/2012 : 14:51:48
Smear it in mud? Sorry. No need for that really. Cant promise it wont happen again, though.
DyeHouseDrumWorks Posted - 19/04/2012 : 14:12:37
As above - if the take is good, go with it and get creative with the production.
There's no end you could do if you carefully gate an output from the recorded snare channel.
...and ultimately trigger any snare sound you could possibly imagine with it!

For future drum tracking projects, it's well worth running every single mic you own (and borrow some more too!) in wide and varied placements, through many channels, if you're not sure what sound you want. You can pick and chose what works after the tracking phase and still maintain a more natural sound pallette.
logic_user99 Posted - 19/04/2012 : 11:43:14
If you've got any decent tube-emulator compressors for your DAW, get it through that and push the gain so it crunches. You could look at triggering an 808 snare (one of the big boofy ones) under the recorded sound and compressing the f**k out of that, too.
beezerk Posted - 19/04/2012 : 11:40:39
Do the Steve Jordan trick, tune as low as owt and stick a pile of gaffa tape on it.
Dave S Posted - 19/04/2012 : 11:29:25
Got to love this forum!

Very handy knowledge for future reference, thanks guys.
larold Posted - 19/04/2012 : 11:27:18
Bit of distortion and pitched down could do the trick... I'm an advocate of the driven hard tape sound for a dirty snare and your DAW may have an emulator plug in type of affair that you can send the dry signal out to. May be worth a look.
simedgoose Posted - 19/04/2012 : 10:45:15
I agree with James. Depending on your DAW, trigger a low pitch 'dirty' snare sample under your current snare sound. If you are on ProTools or another hi end DAW then easy. If you are something simpler, then look at ApTrigga 2. Simple, cheap and very effective. €30 iirc
theslingerland Posted - 19/04/2012 : 10:31:00
And auto/pitch correct the snare lower. You could try mixing a processed pitched down snare (like an octave or two under the original) with the clean original?
Bewdy Posted - 19/04/2012 : 10:27:47
Well it sounds like your only option is to tune lower??

The other thing you could try is adding a little distortion, tube warmth or overdrive to the sound in the mix.
theslingerland Posted - 19/04/2012 : 10:27:14
If you're mixing it then it's probably too late to retune it, right?

Try putting some (nice) distortion on it or perhaps a little white noise, triggering it or even - if you have the facilities - I run drum stems to tape, red lineing it a bit and then make up the gain back to Protools using a nice crusty Shure pre amp I've had modded. Sounds killer.

mikedolbear.com discussion forum © 2002/10 mikedolbear.com Go To Top Of Page
Snitz Forums 2000